![]() When I point out the Earwig figurine in the background, he picks it up and waggles it playfully at the screen. Behind him is a bookshelf of Ghibli books and memorabilia. When I meet the director on Zoom, he is warm and charismatic. But Goro, 54, describes the move as a necessity over anything else. The decision to forego hand-drawn animation has no doubt sparked the ire of Studio Ghibli’s dedicated legion of fans, who were quick to label the computer animated style as “stiff and off-putting” upon the release of the film’s trailer last year. Earwig’s mother, voiced in the English dub by Kacey Musgraves, is a witchy runaway rock star, but this plotline is hardly touched on, making the journey feel incomplete. Fresh out of the Victorian orphanage, Earwig is put to work completing menial witchy tasks, prepping ingredients for spells, doing dishes, and mopping floors. It follows a precocious young witch, Earwig, who’s adopted by a magical couple, Bella Yaga and her reclusive warlock partner Mandrake (voiced by Richard E Grant). Made for television on a considerably lower budget than most Ghibli productions, the film has many of the familiar qualities of a Studio Ghibli film. If the magic of Studio Ghibli rests in its ability to build fantastical dreamworlds that lift us out of the mundane, Earwig and the Witch is a more subtle beast. To watch Earwig properly, you must throw away all preconceptions of what came before it. The rock-n-roll soundtrack feels fresh and contemporary too, and signals a move towards a more current and vivacious chapter for the animation studio. Most notably, in Katsuya Kondo’s expressive character designs and Yuhki Takeuchi’s sumptuous and detailed background art. But the film does have undeniable charms, and branches out into aesthetics and opportunities the Ghibli world thus far has not touched. Seeing Ghibli’s signature aesthetic warped to three-dimensional proportions is admittedly unsettling, maybe for the most ardent fans, akin to seeing your warmest childhood memories mashed through a digitally processed mincer. Like Hayao Miyazaki’s run-in with the headless zombie, watching Earwig and the Witch feels uniquely uncanny. Gangster VIP is a far more mature and serious film than most of Nikkatsu's akushun films from the 60s, benefiting from some great acting, especially from its lead Watari (Tokyo Drifter), and the poignant final scenes will stick in one's mind for a long time after the film is over.There’s still the hallmarks of what we associate with Ghibli – a plucky protagonist, talking animals, magical witches, and morphing spirits – but the animation is Pixar-esque and wholly different from anything the studio has done before. Jasper Sharp of Midnight Eye stated that "Toshio Masuda didn't make the flashiest of works at Nikkatsu, but he did make solid, reliable movies with great characters and well-crafted plots that always keep the viewer on their toes. Outlaw: Gangster VIP was released by Arrow Video on Blu-ray and DVD in 2016 as part of a box set of the entire series. ![]() The film had its Canadian premier at the Fantasia Film Festival on July 14, 2008. Outlaw: Gangster VIP was shown at the Udine Far East Festival in 2005. ![]() The film was released by Toho International in an English-subtitled version in the United States in May 1968. The film was released in Japan on January 13, 1968. The film was the first in a six-part series of films based on Goro Fujita's character. Outlaw: Gangster VIP is based on the writings of Goro Fujita, an ex-gangster who wrote the novel the film was based on. On his release from prison, Goro finds out his gang is in decline and learns that the hitman he stabbed is still alive. ![]() The film stars Tetsuya Watari who plays Goro, a gangster who was sent to prison for three years for stabbing a hitman ( Machida Kyosuke) who belonged to the rival gang called the Aokis. Outlaw: Gangster VIP ( 「無頼」より 大幹部, Burai yori daikanbu) is a 1968 Japanese crime film directed by Toshio Masuda.
0 Comments
![]() Let’s say that you have a string section, for example. By doing so, you will easily control all of the different parameters found in your DAW or virtual instruments.įor those of you who don’t know, automation is the process of allowing software to change a specific parameter over a given length of time. You can use a MIDI controller to assign the virtual knobs or faders in your software to the physical knobs on your MIDI controller. MIDI controllers are wonderful for automation. In our opinion, it is far more inspiring than walking in the room and only seeing your computer and speakers.įor more information, check this in-depth discussion on Redditif MIDI keyboards are worth it and helpful for music production. Walking into your home studio or production room and seeing a beautiful, sleek MIDI keyboard next to your laptop or desktop can inspire you to make music. MIDI keyboards can also bring a bit of inspiration into your studio as well. Notes won’t be perfect on the grid, which will add a bit more groove to your performance. You’ll automatically change velocity with each note that you play, creating a more dynamic performance. With MIDI keyboards you’ll be playing your sounds instead of simply clicking them onto a grid. While you might be using your computer to play real instruments samples or sounds, you still have to remember that your computer is the one playing them, not a real musician.Īs a producer, your job is to make those sounds coming out of your computer feel a bit more human. MIDI Keyboards are exceptional in that they add a human feel to any music that you create. ![]() You can play the music that you hear in your head and experiment with different ideas quickly before ever committing to anything. ![]() Having a keyboard with you when you are producing music allows you to hear your ideas immediately after coming up with them. You’ll have to draw in all of the notes with your mouse before hitting the play button, simply to see what your idea sounds like. If you don’t have a physical MIDI keyboard in front of you, trying out ideas can be a huge pain, not to mention time-consuming. The majority of modern MIDI controllers utilize this USB feature, which eliminates the need for a third-party MIDI interface.Īre MIDI Keyboards Worth It Or Overrated? The best MIDI Controllers typically come with USB ports, allowing you to connect them directly to your computer. This is thanks to the variety of parameter-changing features on board. Both can control your music production software, though MIDI controllers take it a step further in allowing you to express yourself while creating music. Unlike MIDI Keyboards, I like to think of MIDI Controllers as computer mouses. Of course, for players who are a bit more experienced, MIDI keyboards can be used in live performances, whether that is a small event such as a backyard BBQ or church ceremony, or a significant event, such as a music festival. When beginners start learning to play piano, MIDI keyboards act as a far more affordable option than real pianos. ![]() They are great for new keyboardists who are looking to learn how to play the piano. MIDI Keyboards come with pressure-sensitive keys that are used to play software instruments on your computer. If you want the feel of a piano, then a MIDI keyboard will probably be a bit more attractive. MIDI Keyboards are often considered their own instruments. MIDI Controllers are not useful unless you have them connected to another device to trigger sound. Like MIDI Keyboards, they do not produce any sounds by themselves, nor do they come with audio outputs or speakers. MIDI Controllers are also made to create MIDI data for your computer to read or trigger sounds from hardware synths and samplers. 11 Readings You May Like: What Is The Difference Between MIDI Keyboard And MIDI Controller? ![]() Revenue is generally from business-to-business sales rather than retail sales. The company now serves more than three million customers worldwide with offerings such as motors, lighting, material handling, fasteners, plumbing, tools, and safety supplies, along with inventory management services and technical support. He founded the company to provide consumers with access to a consistent supply of motors. ![]() is an American Fortune 500 industrial supply company founded in 1927 in Chicago by William W. To access the discount, please look for GrabCar G! Pass upon choosing your booking options.W. Q: I purchased a GrabCar G! Pass but didn’t receive a voucher.Ī: The GrabCar G! Pass discount is not executed through vouchers, but via a new GrabCar option on the booking screen. Should there be any cycle-wide refunds because of situations related to COVID-19 government policies, passengers will be informed. Q: What happens case of a lockdown before my subscription starts?Ī: Purchased subscriptions will be carried over to the next subscription validity period.Ī: Subscriptions are non-refundable. Q: I cannot see the discounted GrabCar in my Transport booking optionsĪ:Check if the person really bought the subscription on gamma.Ī: Please check your GrabCar booking screen and tap “view all” to see all the booking options”. Q: How will I know if my transaction to buy the discounted GrabCar subscription is successful?Ī: If the transaction is successful, you should receive an auto-generated message in your Grab inbox. Q: What payment methods will the discounted GrabCar accept? Q: Can I use my credit card to buy the subscription?Ī: No, you may only avail of the GrabCar subscription with GrabPay Credits. □ To pay with GrabPay: tap on the bottom left icon on the GrabCar booking screen and select GrabPay as your payment method > tap on ‘GrabCar (GrabPay)’ > click the green button to book your ride □ To add balance to GrabPay: Tap ‘payment’ > ‘cash-in’ > select your preferred cash-in method (debit/credit card, 7-eleven CliQQ machines available!) □ To activate GrabPay: Tap ‘payment’ on the bottom of your Grab app > ‘activate your GrabPay wallet’ > key in the required information (make sure you have a valid ID on hand)
![]() The shape of a better solution should already be pretty clear. Any version control system that needs a large number of add-on tools and workaround processes to meet these requirements misses the mark for the enterprise. Modern product development requires us to store, revision, secure, and synchronize content across teams. The result is effectively another kind of Git sprawl, what we might call “IT sprawl,” as IT departments who embrace Git must learn, adopt, and support a variety of elements from the larger Git ecosystem. These needs - as well as those for more granular access control, synchronization, scalability, high availability, disaster recovery - add more extensions, tools, and processes to the picture in very short order. The need for secure hosting means you need to embrace a third-party solution or build your own. Storing many files or large files means you need to split your repos or perhaps host the large files externally. It doesn’t take long before that metaphorical weight meets or exceeds that of the original problems a version control system was supposed to solve. Each limitation of Git ineluctably burdens the enterprise with the weight of a corresponding workaround. These are only some of the challenges facing Git adoption in the enterprise, but they’re enough to establish a pattern, one that is overlooked surprisingly often. As with so many aspects of life, you get what you pay for, but even the paid offerings can’t magically dispel the limitations of the underlying tool. Free local hosting behind your own firewall usually means limited features and IT headaches. ![]() Free hosting in the cloud usually means limited space or privacy. ![]() ![]() These shortcomings explain the explosion of third-party hosting tools and services such as GitHub, GitLab, and Atlassian Stash, all of which may involve their own trade-offs. In other words, Git provides tools that can be used to ensure commits are correctly signed cryptographically by the individuals making them, but it doesn’t offer any options for locking down particular files, folders, branches, and so on via the usual access control lists or other mechanisms. These limitations stem from the fact that Git concerns itself only with authentication, leaving authorization to the file system. That works nicely for a variety of use cases, but it’s a recipe for ulcers in the enterprise. It requires no authorization, so anyone on the network can see or do anything. Git includes its own daemon for easy hosting, but such hosting is completely open. The idea is to store only a small “pointer” file in the actual repository, yet retrieve the large data when needed from a completely different system.Īnother set of challenges revolves around hosting so many repositories and protecting their content. Another is to store the larger files outside the repository itself, using a tool like the Git Large File Storage extension. Managing so many repos introduces its own problems and has unsurprisingly given rise to a variety of tools (such as git-annex) to tame such complexity. This is precisely what drives the phenomenon known as “Git sprawl,” or the tendency to break what should be one large repository into dozens, hundreds, or even thousands of smaller repos. Git repositories become so slow and unwieldy as they grow that the largest practical size is broadly recognized as being between 1GB and 2GB of content. The largest challenge Git faces in the enterprise arguably stems from its own limitations and performance problems when dealing with large numbers of files or very large files. The purpose of this article is to explain a few of the more salient challenges and their workarounds and to outline the shape of a better solution. Git has long been popular among developers, but attempts to make it work for the enterprise have evinced many challenges and spawned a variety of workarounds. As such, critical to success is having what agile devotees call a “single source of truth.” This means one and only one place where all of the product development content is stored, revised, secured, and synchronized, even when contributors are spread around the world. Art, design, prototyping, manufacturing, programming, and so forth all use different tools, yet need to work together more closely than ever before. That’s because modern product development is increasingly multidisciplinary, rapid, iterative, and geographically distributed. The road to product release is forked, twisted, and winding - anything but straight. ![]()
![]() ![]() healthier fats including use of unsaturated oils (such as rapeseed, olive or sunflower oil) for cooking and dressings and spreads made from them.reduced salt options of products such as soy sauce, baked beans and stock cubes.very few foods high in saturated fat and sugar (either as part of meals or as snacks).lean red meat and limited amounts of processed meats within dietary recommendations.around eight portions of fruit and vegetables daily.wholegrain and higher fibre choices at mealtimes and for snacks.This illustrates just one approach to achieving the targets, but demonstrates that UK recommendations, particularly for dietary fibre and free sugars, are achievable through a balanced, healthy diet featuring inclusion of: It also meets 5 A DAY and the inclusion of at least two portion of fish a week (one portion being oily). The plan was also modelled to meet other macronutrient and micronutrient recommendations over the week, including the calcium and iron recommendations. The plan illustrates, in practice, what a diet that meets the UK recommendations of no more than 5% of total energy from free sugars and at least 30g fibre may look like. To help understand how to meet recommendations on free sugars and fibre in practice, the British Nutrition Foundation has done some simple dietary modelling to develop a 7-day meal plan for adults. ![]() ![]() The outlets offer Kate Spade New York handbags, clothing, jewelry, and accessories at a discounted price. The brand has over 47 outlet locations across the United States. Kate Spade expanded their retail stores to include Kate Spade New York Outlets. Andy Spade was initially in charge of company operations, but, in 2007 after the sale of the company, operational control was turned over to Liz Claiborne. ![]() bought Kate Spade for $124 million from Neiman Marcus Group. In November 2006, apparel giant Liz Claiborne Inc. Kate and Andy went from taking “the nothing black bag” to a creative personalized purse, now they create merchandise from the simple tote to home decor and bedding. Kate Spade has over 180 stores around the world, and is sold in more than 400 stores worldwide (Cohen 198). was worth $70 million, not including the complementary company Jack Spade. Products are easily and continuously shipped around the world. ![]() The business’ clothing and handbag lines are featured in retail stores all across America. The company initially sold handbags, but eventually extended to include stationery, personal organizers, address books, shoes, beauty products, perfume, raincoats, pajamas, eyewear, and clothing. In 2004, Kate Spade operated only 13 stores in the United States, and did not ship out of the country (Cohen 198). This acquisition valued the company at $134 million. In 2006 when Neiman Marcus Group acquired the remaining 44% stake in Kate Spade for $59.4 M, revenue was reportedly near $99 million. In 1999, Neiman Marcus Group paid $34 million for a 56% stake of the company. Īfter 1998 the company began to expand, with sales totaling $27 million. recommended buying the shares because of the brand’s growth potential. Kate Spade rose in eight months after a journalist at Cleveland Research Co. In 1996, Spade's company opened its first shop in New York City's SoHo neighborhood. Her debut line infused classic shapes, colors, and fabrics into a now iconic square bag with a small black label sewn to the outside of the bag that said “Kate Spade New York.” Her main target market at this time was the upper middle class. Eventually, Andy withdrew $35,000 from his 401K account to fund the production of Katherine’s handbags. Originally, the business started out with the Sam handbag. Kate Spade New York started after a suggestion from Andy when Katherine was unsure about her next career move after working six years at Mademoiselle. Kate Spade New York was founded in 1993 by Katherine Noel Brosnahan and her husband/business partner Andy Spade. The team slowly worked their way up the social ladder until they were able to create a company that would be noticed by the public. She also researched the styles, fabrics, and potential production costs of making her own handbags. To get inspiration, Kate browsed local flea markets and secondhand stores. It was in New York that Katherine worked as a style editor for Mademoiselle, but left in 1991 (with the title of senior editor/head of accessories) to start her own handbag line. In 1986, after completing their education, the couple moved to New York City. Katherine majored in journalism, while Andy majored in architecture. It is there that she met her future husband, Andy Spade. Eventually she moved to Arizona, where she attended Arizona State University and graduated in 1985. She grew up in Kansas City and went to an all-girls Catholic high school. Katherine Noel Brosnahan (later known as Kate Spade) was born on December 24, 1962, in Kansas City, Missouri. Temporary shop in New York Prior to company creation
Now Available! The TripGen11 API, developed by Transoft Solutions for ITE, allows for third-party transportation engineering software providers to link their products directly to the ITE TripGen 11 app and gives users to extract data needed for analysis. Next Evolution in Transportation Impact Analysis Interested in adding your organization to this list? Contact Kathi Driggs to learn more about joining the ITE Consultants Council.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |